We use only the finest materials available on the market today.
Glazing - We use in our frames Tru Vue Conservation Series Glass which blocks 99% of all harmful UV rays. UV rays are responsible for most of the irreversible damage to artwork, especially works on paper. Click here for more glazing options.
Mounting - Bainbridge Alpharag 100% cotton mat boards are naturally acid and lignin-free. A mount is particularly important in a framed piece because it keeps the artwork away from the glazing material and creates an air space, enabling the artwork to breathe within the frame.
We use and recommend the Bainbridge Alphamat Artcare range for all your matting and mounting needs.
Very little should ever touch valuable artwork, and it should never be trimmed, glued down, or stapled (in the case of needlework). We hinge works on paper, at the top only. This is done to enable the artwork to expand and contract with environmental changes. In the case of needlework, we use the very traditional method of lacing to gently stretch it.
Yes, we certainly can. Mylar is a product we use which is completely inert. It is a thin, clear polyester film which can be used for encapsulation (where the complete item is sandwiched in between two sheets), or Mylar corners can be attached. Like photo corners, the document, artwork or article slips into the corners, with no tape whatsoever touching it.
Our proprietor, Jodie Prymke, is a PFGV Certified Guild Framer - the only one in South Australia, and one of only 19 Australia-wide. She has 25 years experience as a Designer, and has trained in Italy, studying traditional framing techniques including Gilding and Frame Restoration.
We are specialist custom picture framers and the artworks we frame usually reflect this. Original artworks, oil paintings, watercolours, botanicals, limited edition prints, etchings and engravings, needle art, objects d'art, photographs, prints and posters.
Yes, of course we will! Reglazing, replacing water damaged, faded or acidic matboards with cotton ones and repairing old and damaged frames is all part of what we do. We also quote for insurance claims.
Most old and damaged frames can be repaired successfully, and we would encourage you to do this, rather than replace it with a new one. Replacing an old frame with a new one can actually de-value a piece of art, especially if it was the frame the artist originally chose for it.
Yes, we employ the services of one of South Australia's best art conservators Chris Payne. Chris is a member of the AICCM and is employed by Artlab and the Art Gallery of South Australia. We are happy to pass on his details directly or we can organize the restoration for you.
Insurance Quotes
We are contractors for several insurance companies, and are more than happy to quote for any insurance claims you may have - re-glazing, frame repairs, frame restoration and re-gilding, art cleaning and restoration and photo restoration.
Our framing machinery is brand new, and state-of-the-art. It includes a Gunnar F1-XL Swiss-made computerised matboard cutter, for embossing as well as mat cutting, a French underpinner (also known as a V-nailer), and an Italian-made industrial double-mitre saw.
We take our work seriously, and keeping your artwork safe whilst in our care, is all part of the service. For this reason, our studio is fitted with a fully monitored security system and closed circuit TV cameras, on the inside and the outside of the building. We do have extensive insurance cover, but you should always insure your artwork, like you would your watch or jewellery, in any case.
Take your frame straight home - do not leave it in a hot car.
Never hang or place artwork in direct sunlight. The sun is very destructive to art. Photographs and drawings are particularly susceptible to fading. If you want to be extra protective of your artwork, rotate it as often as possible allowing for some time in dark spaces or storage.
Do not hang artwork in or near sources of heat or humidity, i.e., bathrooms, heaters, etc. No matter how well something is framed or protected, humidity will surely warp and damage most surfaces.
Do not leave artwork outside. Basements and garages are not recommended places to store artwork because of exposure to inclement weather, humidity and dampness.
Avoid letting dust accumulate on artwork. When dusting your artwork, use a very soft, non-abrasive, lint free cloth. Paper towels are a no-no because they can leave tiny scratches.
